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DMTP7 Seven-piece Drum Mic Touring Pack Contains three TM211s, two CM217s, one SN210, and one KM212 in protective travel case.

A complete drum mic package. The PGDMK6 drum mic kit includes three PG56 snare/tom microphones, one PG52 kick drum microphone, two PG81 instrument microphones, three A50D drum mounts, six 15ft (4.57m) XLR-XLR cables and a durable carrying case.

An essential drum mic package, the affordable PGDMK6 drum microphone kit combines two PG81 instrument microphones with three PG56 snare/tom microphones and one PG52 kick drum microphone. It also includes three A50D drum mounts, four 15-foot XLR-XLR cables, and a durable carrying case. Tailored for performers of every level, the affordable Shure PG81 sensitive, flat response condenser microphone is ideal for picking up cymbal crashes as well as acoustic instruments. The compact PG56 mic is ideal for close miking, while the high-performance PG52 kick drum microphone is tuned to capture low-end punch. All three feature a cardioid polar pattern that picks up the most sound from in front of the microphone and some sound from the sides, and is less susceptible to feedback in high volume settings. The Shure PG81 instrument mic. The Shure PG56 (above) and PG52 (below). PG81 Instrument Microphone Flat frequency response is wide and uniform. Consistent sensitivity through frequency range. Condenser cartridge has a lightweight, sensitive diaphragm. Precisely and smoothly captures sound nuances. Powered by AA battery or phantom power supply. Internal shock mount for reduced handling noise. Durable metal construction. On/off switch for onstage control. PG52/PG56 Drum Microphones Tailored frequency response is smooth and extended. Tuned specifically for drum and kick drum applications. Dynamic cartridge has a simple, rugged coil. Handles extreme volume levels without distortion. Cartridge includes a neodymium magnet for high output level. Internal shock mount for reduced handling noise. Durable metal construction. Integral stand mount. Hardened steel mesh tapered grille that resists wear and abuse. Packaged together in a durable carrying case. The Shure PG81. The Shure A50D mounts features a threaded sliding screw that secures a standard microphone clip to a drum, and its flexible, yet sturdy rubber construction provides stability and ease of installation. The Shure PG52. The Shure PG56.

Here's a fantastic, pre-packaged selection of world-famous professional microphones and mounting hardware ideally suited for recording and performing drummers. This package includes three SM57s, one Beta 52(R), three of Shure's superb, new A56D drum mounting systems, and a lightweight and durable carrying case. High profiles drummers like Simon Phillips, Dennis Chambers and Dave Weckl, among the most in-demand drummers in the world, and thousands of others, depend on Shure reliability and the Shure sound. This is a great opportunity to outfit your kit with the best! The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a complete core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52 microphone, three A56D drum-mounting systems, and a lightweight and durable carrying case. The industry standard for snare drum, and a reliable and high-performing choice for toms, Shure's cardioid dynamic SM57 microphone features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately. Perfect for the kick drum, the supercardioid Beta 52® derives its low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the Beta 52 is additionally designed with an integral locking stand mount for quick-and-easy set up. A key element of the kit, Shure's A56D universal drum mounting system can be used to position microphones virtually anywhere -- on drum rims, microphone stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and can be used with any standard microphone, making it a great tool for both stage and studio environments.

The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52A microphone, three A56D drum-mounting systems, and a durable carrying case. A core package of microphones for recording and performing drummers at a great price. Click to enlarge. Durable carrying case included. Three SM57s The industry standard for snare drum, and a reliable and high-performing choice for toms, the Shure cardioid dynamic SM57 microphone features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately. One Beta 52A Perfect for the kick drum, the supercardioid Beta 52A derives its low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the Beta 52A is designed with an integral locking stand mount for quick-and-easy set up. Three A56D Mounting Systems The A56D universal drum mounting system can be used to position microphones virtually anywhere--on drum rims, microphone stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and can be used with any standard microphone, making it a great tool for both stage and studio environments. Case Included A lightweight, durable carrying case is included, for taking your mics along to the next session. What's in the Box Three SM57 Microphones, One Beta 52A Microphone, Three A56D Mounting Systems, Carrying Case

This kick drum/amp mic stand features a 16 inch adjustable boom, comapct, U-shaped base instead of the tripod design. Heigt is adjustable from 8 to 14 inches. Base dimensions: 4.5 x 7.5 inches.Quality, innovation and a commitment to offer the most unique product to today's performing musician, it's no wonder On-Stage Stands has become the standard around the world in microphone support.

USB Microphone-Four Pattern

The CAD KBM412 Dynamic Bass Drum Microphone is a large diameter, Neodymium dynamic microphone, specifically designed for bass drum and other low frequency sources.Packaged in a rugged die-cast body with a hardened external screen providing additional protection from incidental striking. The KBM412 was designed to provide extended low-end frequency response, along with high SPL handling capability The KBM412 delivers exceptional performance as a kick and large tom microphone and will deliver excellent performance when used to mic bass and large diameter percussive instruments and other similar applications.

The OnStage DM50 is an affordable drum mic clamp that's easy to use and a fantastic, space-saving solution. The isolation cylinders on this clip dampen unwanted vibrations while micing your drum.

The Samson 5KIT microphone package includes all the mics you need to record your drums in a professional live or studio situation. All of the microphones in the 5KIT feature a cardioid pickup pattern voiced specifically for the drum they are capturing and gold-plated XLR connections to insure a low noise signal path.The microphones come packed in a custom case for secure and safe transportation.

A comprehensive drum mic set up in a sturdy road case, the Samson 5kit has you covered for snare, kick, and tom miking. A perfect way to grow your mic collection and start capturing live drum performances. A comprehensive drum mic set up in a sturdy road case. Click to enlarge. Q-snare and Q-tom mics feature integrated mounting clips for direct attachment to drums. The Q Kick sounds better than many more expensive kick mics. One Q-snare for Precise Snare Drum Miking Designed for high SPL and durability, the Q-snare is specifically voiced for miking snares. A rim-mount mic clip with cable management lets you attach it directly to the snare's rim. One Q-kick for Capturing Bass Drums The Q-kick is a superbly made kick drum mic, featuring a cardioid polar pattern to reduce feedback. Rigid, and featuring a huge diaphragm element, the Q Kick sounds better than a lot of more expensive kick mics. Three Q-toms for Dynamic Tom Miking The Q-Tom was specifically designed as a complete solution for tom-miking applications. Capturing the deep low frequencies along with crisp attacks, it employs a tight super cardioid pattern to reduce feedback and increase side-to-side rejection in close-miking situations. The Q-Tom features an integrated mounting clip that easily installs on any standard drum rim, and carrying pouch. Road Case Included The complete kit comes packed in a rugged road case, ready to haul to your next session. What's in the Box Three Q-tom Microphones, One Q-snare Microphone, One Q-kick Microphone, Road Case

The Samson 8KIT microphone package includes all the mics you need to record your drums in a professional live or studio situation. All of the microphones in the 8KIT feature a cardioid pickup pattern voiced specifically for the drum they are capturing and gold-plated XLR connections to insure a low noise signal path. The microphones come packed in a custom case for secure and safe transportation.

The Samson 8KIT includes everything you need to completely mic today's popular drum kit set-up in a professional live or studio application. All of the microphones in the 8KIT feature a cardioid pickup pattern voiced specifically for the drum they are capturing and Gold-plated XLR connections to ensure a low noise signal path. The complete eight-piece kit comes packaged in a rugged road case for easy travel and secure storage. Everything you need to completely mic today's popular drum kit set-up in a professional live or studio application. Click to enlarge. Q-snare and Q-tom mics feature integrated mounting clips for direct attachment to drums. Add a few optional SP01 spider shockmounts for further overhead isolation. A Complete Drum Solution Two C01 Large Diaphragm Condensers for Overheads Ideal for use as overhead drum mics, the C01 large diaphragm condenser mic is accurate, detailed, and smooth, with warm bass and an extended top end. This sturdy microphone has a large 19mm diaphragm that produces a flat frequency response, and features a heavy gauge mesh grill screen, a gold plated XLR connecter and an LED indicating 48V phantom power. Three Q-toms for Dynamic Tom Miking The Q-Tom was specifically designed as a complete solution for tom-miking applications. Capturing the deep low frequencies along with crisp attacks, it employs a tight super cardioid pattern to reduce feedback and increase side-to-side rejection in close-miking situations. The Q-Tom features an integrated mounting clip that easily installs on any standard drum rim, and carrying pouch. One Q-snare for Precise Snare Drum Miking Designed for high SPL and durability, the Q-snare is specifically voiced for miking snares. A rim-mount mic clip with cable management lets you attach it directly to the snare's rim. One Q-kick for Capturing Bass Drums The Q-kick is a superbly made kick drum mic, featuring a cardioid polar pattern to reduce feedback. Rigid, and featuring a huge diaphragm element, the Q Kick sounds better than a lot of more expensive kick mics. One C02H Mini Pencil Condenser for Hi-Hats or Rides The C02H mini pencil condenser brings a high level of accuracy and audio performance to instrument-miking applications. Perfect for miking Hi-Hats thanks to its smooth top end and ability to capture fast attack transients. Road Case Included The complete kit comes packed in a rugged road case, ready to haul to your next session. What's in the Box Two C01 Microphones, Three Q-tom Microphones, One Q-snare Microphone, One Q-kick Microphone, One C02H Microphone, Road Case

The Blue Snowball USB mic finally gives you a USB microphone that's not only easy to use, but that also sounds as good on your desktop as it does in a professional recording studio. Whether you're recording a guitar at your kitchen table or a complete band in the studio, the Blue Snowball captures the sound with the kind of detail unheard of before in a USB microphone.