Based on the award winning BlueMax compressor design, the COMP16 is the simplest professional quality compressor in the world. Sixteen presets have been carefully tailored for a wide range of applications including vocals, percussion, fretted instruments, keyboards, stereo program material and compression effects. Simply select the preset and adjust the input and output to desired level of compression. Finally a great-sounding compressor that anyone can use!
Based on the award winning BlueMax compressor design, the COMP16 is the simplest professional quality compressor in the world. Sixteen presets have been carefully tailored for a wide range of applications including vocals, percussion, fretted instruments, keyboards, stereo program material and compression effects. Simply select the preset and adjust the input and output to desired level of compression. Finally a great-sounding compressor that anyone can use! Specifications Input XLR Impedance: 10k Ohms TRS Impedance: 10k Ohm Panel Controls Input: -20dB to +20dB Output: -20dB to +20dB Bypass Output to Meter Preset Select Digital Encoder Meters Blue Backlit VU Power Supply Type: Linear Input: 16VAC/1000mA Output XLR Balanced: 51 Ohms Impedance 1/4" TRS Unbalanced: 51 Ohms Impedance Performance THD+Noise (Unweighted): 0.006% at 0dB Noise Floor: -98dB Signal To Noise: >95dB Power Supply Rejection: >98dB Physical Weight: 5lbs. Dimensions: 5.5 x 5.5 x 1.75 Mounting: Universal Rack Tray Insert Chassis: Steel Panel: Brushed Aluminum Sides: Cast Aluminum Power: 16 Watts
Compact single channel dimmer/switch pack with onboard digital DMX addressing runs on standard DMX512 signal 2 edison plugs and can control a maximum of 10 amps (1200watts). Link several with XLR or DMX cable or control with the fader on the front of the unit.
The ISA 220 Session Pack provides all the audio precision tools required to infuse your session with Focusrite’s renowned sonic performance. It features many of the original circuits of the flagship ISA 430 MKII Producer Pack, and also includes some new facilities of its own. It also features the same digital output option as the original ISA 430, providing you with a high quality digital route direct from the ISA 220 into your digital recording system. The ISA 220 starts with the classic Focusrite transformer-coupled microphone pre amp, with phantom power and phase reverse. A four-band Focusrite EQ section follows, based on the EQ circuits featured in the ISA 430 and ISA 110. The compressor features a proprietary Class A VCA with side-chain circuitry, and can be placed in the signal flow before the EQ at the press of a button, if desired. Also included is a unique feature labelled “Blend”, which provides a means of achieving smoother compression at extreme settings by mixing uncompressed source signal along with the compressed portion. The ISA220 also features an opto-based de-esser which uses a combination of EQ and phase cancellation to create a smoother and less obtrusive result. Last but not least, a frequency adaptive, 3-band limiter is provided to ensure distortion-free limiting. For visual reference, ISA 220 provides a classic analogue VU style meter which can be switched to display input or compressor gain-reduction levels. A pair of 16 segment LED meters are included to display output levels, both analogue and digital in conjunction with the optional 24-bit/96 kHz stereo digital output (AES/EBU, S/PDIF & TOSLINK) card. This card offers 44.1 - 96 kHz operation and can be used as a high-quality mono / stereo tracking converter, or at mix down as a stereo converter for final mastering.
The TubePRE is the highest quality vacuum tube preamp in its class. Loaded with PreSonus award winning dual servo preamplifier, the TubePre affordably delivers low noise tube warmth for vocals, guitars, bass guitars, synths and sound modules. The TubePre noticeably outperforms preamps in low cost mixers and recording interfaces making it an easy choice for anyone desiring to enhance their recordings with the magic of tubes.
The TubePRE is the highest quality vacuum tube preamp in its class. Loaded with PreSonus award winning dual servo preamplifier, the TubePre affordably delivers low noise tube warmth for vocals, guitars, bass guitars, synths and sound modules. The TubePre noticeably outperforms preamps in low cost mixers and recording interfaces making it an easy choice for anyone desiring to enhance their recordings with the magic of tubes. Specifications Input XLR Impedance: 1.3k Ohms High Z Impedance: 1 Meg Ohm Panel Controls Tube Drive: 0dB to +20dB Gain: 3dB to +48dB Phase Reversal -20 dB Pad +48V Phantom Power 80Hz Rumble Filter Meters Blue Backlit VU Output XLR Balanced: 51 Ohms Impedance 1/4" TRS Unbalanced: 51 Ohms Impedance Performance THD+Noise (Unweighted): 0.05% at 0dB Tube Drive 10% at 30dB Tube Drive Noise Floor: -98dB Signal To Noise: >95dB Power Supply Rejection: >98dB Amplifier Type: Dual-Servo Power Supply Type: Linear Input: 16VAC/1000mA Power: 16 Watts Physical Weight: 5lbs. Dimensions: 5.5 x 5.5 x 1.75 Mounting: Universal Rack Tray Insert Chassis: Steel Panel: Brushed Aluminum Sides: Cast Aluminum
Single channel VHF receiver with 1/4" output jack for recording or mixerOperational range up to 300'Converts low impedence microphone to wirelessXLR "lock-down" connector ofr secure grip to microphoneFrequency response: 40Hz-18kHz
The EQ3B is a three-band fully parametric single channel analog EQ with smooth highs and solid lows. Perfect for carving out unwanted frequencies or musically boosting frequencies that need to be empasized. It is a perfect compact EQ solution to customize and taylor your sound. The EQ3B features an 80Hz roll-off (to eliminate room rumble and increase clarity), +/-12 dB of boost/cut on three overlapping frequencies along with varible Q (bandwidth) for detailed narrow notching or wide musical shaping. The EQ3B is ultra quiet and is perfect solution for many applications including, vocals, guitar, bass, keyboards and more.
The EQ3B is a three-band fully parametric single channel analog EQ with smooth highs and solid lows. Perfect for carving out unwanted frequencies or musically boosting frequencies that need to be empasized. It is a perfect compact EQ solution to customize and taylor your sound. The EQ3B features an 80Hz roll-off (to eliminate room rumble and increase clarity), +/-12 dB of boost/cut on three overlapping frequencies along with varible Q (bandwidth) for detailed narrow notching or wide musical shaping. The EQ3B is ultra quiet and is perfect solution for many applications including, vocals, guitar, bass, keyboards and more. Specifications Input XLR Impedance: 10k Ohms TRS Impedance: 10k Ohms Panel Controls Low Frequency Range: 20Hz to 800Hz Mid Frequency Range: 700Hz to 7kHz High Frequency Range: 5kHz to 20kHz Bandwidth Adjust (Q): .1 to 10 Gain Adjust: -12dB to +12dB High Pass Filter: 80Hz Meters Blue Backlit VU Power Supply Type: Linear Insert (TRS) Input: 16VAC/1000mA Output XLR Balanced: 51 Ohms Impedance 1/4" TRS Unbalanced: 51 Ohms Impedance Performance THD+Noise (Unweighted): 0.006% at 0dB Noise Floor: -98dB Signal to Noise: >95dB Power Supply Rejection: >98dB Power: 16 Watts Physical Weight: 5lbs. Dimensions: 5.5 x 5.5 x 1.75 Mounting: Universal Rack Tray Insert Chassis: Steel Panel: Brushed Aluminum Sides: Cast Aluminum
The BBE EQA131 Equalizer delivers the precise EQ you need to handle the entire spectrum of applications. On the BBE EQA131's active filter sections are the constant-Q (constant bandwidth) design: the bandwidth of each individual filter has a perfect balance between being narrow enough to prevent unwanted interaction between filters, yet wide enough to deliver exactly the type of correction curve demanded by even the most unusual acoustic surroundings. Also included are continuously variable high and low cut filters. The low-cut filter ranges from 10Hz to 250Hz (12dB/octave). The high-cut filter ranges from 3KHz to 40Hz (12dB/octave). A selectable control range allows musicians to switch easily between 6 dB and 12 dB on the graphic filters. Along with TRS and XLR input connectors, BBE EQA131 comes complete with a Bypass switch, Signal Clip indicator, Output gain control and selectable line voltage switch between 115 and 230 VAC operations.
The dbx 2-Series Graphic Equalizer series have been designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The 131 not only offers standard features like single-channel, 31, 1/3 octave bands, ISO frequency centers, +/- 12 dB input gain range, and switchable 50Hz/12 dB per octave low-cut filter, but also includes other insightful features.
The TUBEPre is a single channel preamp based on a 12AX7 vacuum tube circuit that provides a stable, transformer-free signal path. The unit can be used as the first stage of a live or studio system, as a mic preamp or direct box. The dual-servo gain stage design employs no capacitors providing ultra-low noise performance and wide dynamic control that allows the TUBEPre to boost the desirable signal without increasing unwanted background noise.
The Pro Channel from ART is the latest offering from the world's most popular tube dynamics processing manufacturer. ART engineers have combined the world-renowned Pro MPA, Pro VLA, and Tube EQ into a single product - creating the world's best-sounding and most affordable professional recording channel.
This line-powered device allows the use of remote-powered microphones with systems that do not supply phantom power. Each unit features a highly-regulated power supply which provides a constant voltage source, even with a heavily-loaded input. The regulator IC is internally protected to prevent overheating or damage even if shorted.
The Liquid Channel is a revolutionary professional channel strip that can precisely replicate any classic mic-pre and compressor. Combining radical new analog pre-amp technology with Dynamic Convolution techniques, The Liquid Channel fuses cutting-edge analog design with lightning fast SHARC DSP. Augmented by fully digital controls and optional remote software, The Liquid Channel provides the ultimate fluid vintage collection.
The Studio Channel is a professional channel strip combining Class A tube preamplifier, VCA-based compressor and three-band parametric equalizer perfect for the professional and project studio. Great for all types of microphones, instruments, keyboards and synths, the Studio Channel has the sonic power and flexibility to achieve any tone you can dream of - luscious in your face vocals, crystal clear acoustic guitars, fat solid bass guitar, dynamic acoustic piano, cracking snare, punchy bass, huge MPC tracks and more.
The Joemeek threeQ is like having one channel of a professional recording studio in a small box. It takes a microphone or instrument, amplifies it, compresses and equalizes it ready to be recorded. Simple to use yet extremely powerful, the threeQ will bring out the best in any microphone or instrument and give the gloss of a professional studio production to all your performances. As well as recording it will also be found useful for live work.
TrakMaster Pro, a professional microphone preamplifier/compressor, is the latest in Focusrite's Platinum Pro series and the company's most affordable recording channel strip to date. Providing performance specifications never before seen at this price point, TrakMaster Pro features a mic preamp derived from Focusrite's award-winning Green range, front panel DI, problem-solving mid-scoop EQ, intuitive optical compression, latency-free monitoring, and the Platinum Pro series ADC option.
Gibraltar Prowler Single Chain Single Bass Drum Pedals were designed to be clean and simple with quick response. Single chain CAM drive action gives fast response in a simple design.
The 6176 Vintage Channel Strip combines the alluring, all-tube sounds of the legendary Bill Putnam-designed 610 microphone preamp, with the signature FET compression of our 1176LN, to create the ultimate recording channel strip. The warm, smooth tones of this mic preamp design -- employed to record everyone from Frank Sinatra to Van Halen I -- and the unique characteristics of the compressor, are two major reasons why the 6176 is found in studios around the world.
The BBE MaxCom is a highly sophisticated dual-channel compressor and limiter with gate; housed in a compact and easy-to-use package. It provides a live or recorded mix with all the clean, clear punch that only a truly professional dynamics controller can. However, the MaxCom is much more than a high-quality, superbly engineered compressor/limiter.
The Eureka is a professional recording channel strip containing a discrete class A transformer-coupled microphone preamplifier, FET compressor, and three-band parametric equalizer.
The Dixon 711 Single Bass Drum Pedal features a dual surface beater, a single chain CAM drive system, easy access bass drum hoop clamp adjustment, and stabilizer platforms with built in spurs.
Auralex's RC8 Resilient Channel is a specially-formed, sturdy metal device that, when used to hang drywall (instead of just attaching the drywall to the studs or joists), GREATLY improves the sound transmission characteristics of the wall or ceiling system.
The Joemeek compressor is the first device commercially available to have been designed purely as an effects compressor. Its purpose is to change the way the ear perceives the sound; its action changes the clarity, balance and even rhythmic feel of music.
The Joemeek compressor is the first device commercially available to have been designed purely as an effects compressor. Its purpose is to change the way the ear perceives the sound; its action changes the clarity, balance and even rhythmic feel of music.
